Not just Worcestershire objects in the Museum collections
Museums Worcestershire has objects from all over the world in its collections. Although these are not developing areas of the collection, many fascinating global objects make up the historic collections.
This wonderful example has come to Worcester City’s museum collection from the Pacific islands and is a highly decorative ceremonial paddle from the islands of Tonga and Fiji, donated to the Worcester City museum collection in 1969.
The paddle is made from a hardwood, is smooth to the touch and after time has developed this polished looking patina.
The decoration is chip carved and covers the entire surface of the paddle. Due to the decoration and the patina, this example most probably dates to the mid to late 19th century.
This intricate piece of natural architecture is a superb example of a nest of the European Hornet (Vespa crabro). Although for many finding a specimen such as this in the attic would hardly be a welcome discovery, Mr and Mrs Skinner of Shrawley kindly donated this vacated nest to the Worcester City Natural History Collection, allowing its delicate structure to be carefully preserved and displayed from time to time.
The overall population of European Hornet colonies tend to be proportionately smaller than wasp nests, however this is still a substantial size, measuring around 50cm across with individual hexagonal cells much larger than ones created by wasps.
They begin with the work of the lone fertilised queen hornet, who creates the first layer of papery cells and lays an egg in each one. The first generation of female hornets continue to forage and build the rest of the nest.
There is a lot of variation in appearance between nests of this species of hornet, as the insects use a variety of materials available to them at the time of building. Whereas wasps prefer hard woods, hornets content themselves with soft or decaying wood, often mixing it with sand or soil and cementing it together with saliva, resulting in a coarse, yellow, papier-maché appearance. If you look closely, you can see striped lobes which are the results of the work of individual hornets’ work, with colours varying due to the different types of trees and wood collected.
The excavation of a woolly mammoth tusk by Worcestershire Archive and Archaeology Service at Clifton Quarry, just south of Worcester in March 2016, has led to conservation work to ensure its long-term protection.
Specialist conservation work on the mammoth tusk was very generously funded by Tarmac who own and work Clifton Quarry. The tusk was waterlogged when found so it was dampened and covered in plastic to ensure that it dried out slowly, reducing the chances of splitting and delamination which can occur in waterlogged specimens.
Once it had dried, the surfaces of the tusk were gently cleaned and strengthened. A second phase of conservation work was required a few weeks later as the tusk adapted to the environmental conditions at Worcester Art Gallery and Museum.
Between 2017 and 2018, thanks to a grant from the Heritage Lottery Fund, Worcestershire Archive and Archaeology Service (WAAS) in partnership with Museums Worcestershire will bring the Lost Landscapes of Worcestershire back to life, with events and exhibitions celebrating half a million years of the area’s history, from the time our ancestors arrived until the end of the last Ice Age 10,000 years ago.
In the early nineteenth century the motte (or mound) of Worcester’s long lost Castle still stood, some 80 feet above the high water mark of the River Severn, to the south of the Cathedral. In 1833 it was finally levelled at the request of a local bookseller, Mr Eaton, who owned the land that the motte stood on.
As the huge amount of earth was removed, a number of wonderful archaeological discoveries were made; both structures and also individual finds that are still in the museum collection today.
The finds included a Bronze Age socketed axe, Roman coins, brooches, tweezers, bells and pottery as well as later medieval pottery and Saxon and medieval coins.
Within the museum collection, we also have two Roman glass vessels that have long been understood to have been found at Castle Hill but are not mentioned by commentators who wrote of the discoveries at the time.
These are the only complete Roman glass vessels in the city collection and it is perhaps more likely, though no records exist, that they were brought back from the Mediterranean in the nineteenth century by one of the travellers or officers who often donated to the Worcester’s growing collection.
In 1965 construction work was underway in Worcester city centre on the building which would become the Giffard Hotel (now the Travelodge). Henry Sandon, who would in later years, become well known for his work on BBC’s Antiques Roadshow, was then a member of the Worcester City Archaeological Research Group and kept an archaeological watching brief on the construction work in order to monitor the area for any archaeological discoveries that might be unearthed. The area known as Cathedral Plaza was once part of the hustle and bustle of the Roman, Anglo Saxon, and later, the medieval city.
This pitcher was imported to Worcester in the thirteenth or fourteenth century from the Saintonge region in south-west France. The pot’s fabric is a hard, fine, whitish ware with a yellow tone to the outside and a green glaze to the upper part of the body of the pot. The form or shape of the pot, with its three strap handles, belongs to a type that endured for centuries. It’s most likely use was to hold wine. At the time of its discovery, it generated excitement, being one of only seven known examples in Britain.
It was found in a vast number of small pieces in one of two wells which were excavated under the direction of Philip Barker, the then lecturer in extra-mural activities at the University of Birmingham, and a pivotal figure in the development of archaeology in Worcester.
The pitcher is not only fascinating in the story it tells of a wealth that could afford such imported ware in the late thirteenth century in our city but also of the feat of conservation undertaken by staff at the Institute of Archaeology at University College London.
The tiny sherds of pottery from Well 2 were painstakingly reconstructed into a complete pottery vessel that is still a favourite whenever it is displayed or encountered on store tours. It is an object that is examined and talked about as much for its conservation as its archaeological value. More information about this beautiful pitcher can be found on Worcestershire Archive and Archaeology Service’s Online Ceramics Database.
The Coulter pine or Big Cone Pine (Pinus Coulteri) is a tree native to the coastal mountains of Southern California & Northern Mexico. The species was discovered in 1832 and named after the Irish botanist Thomas Coulter. It is quite rare in the wild but it can be found in arboretums & parks even here in southern Britain.
The cone it produces is the heaviest of any pine, weighing up to 5kg (11Ibs) and covered with hook-like tips on the end of the scales. With this in mind, the tree is often referred to as the “widow-maker”! Foresters, grounds men and owners alike are advised to wear hard hats whilst working under them.
Our particular cone comes from the collection of H R Munro, a former forester of the Witley Court Estate who in 1948 donated his cones, wood samples & fungi to Worcester City Museum.
This beautiful dish is a firm favourite with visitors to our collection stores and has been displayed often in exhibitions about Tudor or post medieval Worcester. It dates to the sixteenth or seventeenth century and was found during excavations in Sidbury ahead of the construction of City Walls Road in the 1970s.
This type of pottery was produced in Hanley Swan in Worcestershire from the late thirteenth to the early seventeenth century in a multitude of different forms (or shapes) and by the time this dish was manufactured, this Malvernian pottery was exported across a large area to the south of Bristol and along the coast of South Wales.
This particular pot is a chafing dish, a portable vessel which was designed to take hot coals or charcoal and was used for the preparation of foods that needed to be kept warm or cooked gently at the table. Metal chafing dishes are also known such as one found in a chest on the wreck of the Mary Rose, used by a barber-surgeon for heating up irons, pitch or wax.
This object’s appeal, though, lies in its unusual appearance: its six large teeth, interspersed with smaller white examples, its applied and pierced decoration, the ring hanging from one of the handles and its vivid orange glaze.
Mummified animals were common finds in ancient Egyptian tombs and were shipped back to Britain in their hundreds in the nineteenth century by travellers and collectors. It’s thought that they may have been placed in tombs for a number of reasons; as a source of food for the afterlife, as a favoured pet or most likely as a symbol of a particular deity. In ancient Egyptian religious art, characteristics of Gods and Goddesses were often represented by an animal and so the animal was often used to symbolise the deities. So great was the need for these mummified animals that an entire industry arose around their breeding and mummification.
This mummified rat came into the collections of Worcester Museum in March 1851 as part of a collection of ethnographic and antiquarian items which included two hands from the mummy pits at Memphis and a pigtail taken from a disgraced Chinese man. The collection was gifted by Henry Smith Parkes Esq, a diplomat with the British Government who served as a minister to Japan, China and Korea during his career.
The rat is carefully wrapped in strips of linen with the limbs and tail wrapped separately to the main body. The collection also includes a mummified crocodile and two Ibises, one wrapped and another unwrapped.
This intriguing object takes us back to the very early years of the Worcester museum service and the gentlemen naturalists and antiquarians who founded the Museum of the Worcestershire Natural History Society, which later became, Worcester City Museum.
Jabez Allies was one such antiquarian who collected during the first half of the nineteenth century and donated much of what he came upon to the Museum of Worcestershire Natural History Society.
It was Allies who presented this object, found in a quarry in the Teme Valley, at a meeting of the Royal Archaeological Institute in December 1849. In the Institute’s Archaeological Journal of 1844 it is described as, “….supposed to be of the early British period, formed of a green coloured stone, and found six feet below the surface in a gravel bed at Lindridge. It is a kind of chisel, or possibly it may have been used as a flaying-knife. At one end there are two perforations, and a third hole drilled only partly through… It was presented to the Museum of the Worcestershire Natural History Society, by Rev. Thomas Pearson, of Witley.”
We now know this wonderful object in the city collection probably isn’t a chisel or a knife but a Bronze Age bracer, or archer’s wrist guard used to protect the wrist. It was a high status object, bound to the wrist with straps and formed from a rock that, at its closest, can be found in Central Wales. At some point in antiquity the object seems to have broken. It lost its perforations at one end and has been reworked into its present unusual form, perhaps to become a pendant or amulet but certainly an enigma to the antiquarians of the nineteenth century and beyond.